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It is a transition from understated grace to high-definition glamour

Florals, ribbons, and swirls mix together to celebrate different cultures

This dichotomy was depicted in Jos Rizal's 1887 novel Noli Me Tngere where the mestiza protagonist Mara Clara wore a tapis and a baro't saya, while the pretentious Doa Consolacin (a native married to a peninsular ) wore European-style dresses without the tapis

Crafted from a breathable cotton and linen blend, they feature a tailored high-rise silhouette with front pleat detailing that creates beautiful movement through the leg

No labeling as to which side in the drawing is the front of the cabinet and which on is the back